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![]() ![]() Landing speed: 143 km/h (77 kn, 89 mph).Propellers: 3-bladed constant-speed propellers.BV 250 A land-based derivative of the BV 238 for use as a strategic maritime reconnaissance aircraft and long-range transport Specifications (BV 238A-02 (V6))ĭata from Aircraft of the Third Reich Vol.1, Blohm & Voss Bv 222 "Wiking" - Bv 238 BV 238-Land The initial designation for the land-based derivative of the BV 238. ![]() Variantsĭata from: BV 238 V1 The only completed prototype. Known as the FGP 227, it made a forced landing during its first flight and did not provide any data to the program. A ¼-scale model of the BV 238 was made during the plane's development for testing. Production of two other prototypes was begun but neither was finished. During the strafing the back of the flying boat broke and the forward part of the plane sank into the water. ![]() Īccording to the British, the attack happened on. Their strafing set the engines alight, and the aircraft burnt and sank with only part of a wing remaining above the surface. The aircraft was attacked by Hawker Typhoons, or Hawker Tempests. The Allies were concerned that Hitler could use it to escape to South America, and so an attack followed shortly afterwards. German sources –based in part on the testimony of nearby inhabitants and Blohm & Voss employees– claim that the BV 238 V1 was discovered by the RAF between 23 April and 26 April 1945. He continued to believe this was the case until he was contacted by the BBC in 1974 for a documentary, and told that their research had determined that the aircraft he had destroyed was actually the BV 238 V1, undergoing flight tests at the seaplane base at Schaal Lake. Drew was told after the raid that he had destroyed a BV 222 Wiking (another large flying boat). This represented the largest single aircraft to be destroyed during the war. The lead Mustang, "Detroit Miss", was piloted by World War II ace Lieutenant Urban "Ben" Drew, and another was piloted by William D. Sources differ in date, the attackers and the attack aircraft used.Īccording to American sources, the BV 238 V1 was strafed and sunk while docked on Schaalsee in September 1944 by three North American P-51 Mustangs of the US 361st Fighter Group. The sole completed BV 238 was strafed and sunk while docked on Schaalsee. Six 1,287 kW (1,750 hp) Daimler-Benz DB 603 inverted V12 piston engines were used in total, arranged in three forward-facing engine nacelles on each wing, with each engine's coolant radiator in a chin cowl directly under the engine, bearing an almost identical appearance to those fitted to the Do 217M medium bomber and some examples of the Do 217J night fighter, and possibly were Kraftei, or "power-egg" unitized engine modules. The BV 238 V1 prototype, bearing the four-letter Stammkennzeichen (factory radio code) of RO + EZ, first flew on 11 March 1944 after a first jump on 10 March 1944. ![]() ![]() Play Final Fantasy modifications, WALL-E themed games, and much more. Our collection also includes less conventional games, which are just as entertaining. All of your arcade desires are waiting to be fulfilled. Or, play updated Nintendo and Sega games, including Mario and Sonic the Hedgehog. Play modern variations of Space Invaders and Bomberman, complete with authentic game sounds and graphics. We have older and brand new machines, from original Pong to 3D air hockey! In our challenging levels, you’ll experience exciting action and captivating gameplay. Our collection is an amalgam of the greatest arcade games ever made. ![]() io Games Hypersnake Ping Pong Space Thing Friday Night Funkin' Fidget Spinner High Score Fruit Ninja Bottle Flip Big Tower Tiny Square Sausage Flip Tunnel Rush Air Hockey Championship Deluxe Sweet Run Toxic Big Tower Tiny Square 2 Thumb Fighter Pocket Hockey Dumb Ways To Die 3: World Tour Subway Surfers Just One? Stickman Climb 2 Slime Laboratory Bubble Shooter Maze Speedrun Bouncy Dunks GoBattle Crossy Road Descent Drive Mad Numbskull Monkey Mart Golfinity Duck Life 2 Burrito Bison Revenge Jungle Bubble Shooter Mania Bossy Toss Robot Awake Firefighter Pinball Wild Bullets Crush It! Duck Life 3 Panda: Bubble Shooter Ragdoll Fall Ground Digger Super Dangerous Dungeons Bubbles 2 PartyToons Hospital Stories: Doctor Rugby Flipper Dunk Iron Snout Bubble Trouble Big NEON Tower VS Tiny Square OvO Dimensions Supergun Mallet Mania Heart Star Swingo Sling Kong Monster Tracks Pipes Snake Tunnel Rush 2 Turn Right Total Party Kill Sparkanoid BombHopper.io Bad Ice-Cream Temple of Boom Bubble Trouble 2 Amazing Bubble Breaker Rabbit Samurai Papercraft Wars Dark Boy Icy Purple Head 2 Kingpin Bowling Recoil Rainbow Star Pinball One More Dash Street Ball Jam Duck Life 4 Dino Run Tanked Up Magic Bridge Fortz Kickflip Santa Sector 781 OvO Classic Pinball Space Super Fowlst 2 Tank Trouble Box Tower Rhino Rush Stampede Idle Digging Tycoon Mortal Cage Fighter Laser Blade 3000 SpaceUgh! Fluffy Mania Monster Truck Torment 9 Ball Pool Duke Dashington Remastered Paint Strike Mine Sweeper Skywire VIP Shuffle Mr Boomi 12 MiniBattles Drop Wizard Tower Ribbit Snake.is MLG Edition Tiny Dangerous Dungeons Silly Sausage MiniBattles Speed King Bubble Shots Squish Machine Final Ninja Zero Dodge Blast Into the Pit Gift Wrapped Square Meal Cut The Rope Final Ninja Skywire VIP Super Oscar Super Bubble Shooter Serious Scramblers Bubble Trouble 3 Off The Rails Picnic Penguin Toxic 2 Monkey Kick Tactical Squad Fluffball Teleport Jumper Rockitty Tap Tricks Paper.io Bomber Royale Swindler 2 Fowlst Klung Test Subject Arena Magic Touch Flappy Bird Skywire VIP Extended Squish Run Tightrope Theatre ![]() ![]() ![]() There are many stories I’ve been dreaming of telling, and I feel like now-with so many unique projects coming down the line-is the best time to do that. “ Kid Cosmic was an idea I’ve had for a while-I’m so glad it’s finally out there. “I want to push the boundaries of what networks are looking for with unique concepts,” says McCracken. ![]() McCracken opted for a 22-minute episode length for Kid Cosmic (despite the lack of commercial breaks) so he could take his time with the story, have moments of quiet, and use the music and art to move the plot long without needing to rush from frame to frame. By slowing down the action, he’s been able to create a more realistic treatment for his heroes, compared to slapstick cartoons where characters rush around getting squished or smashed up. It also helps the series stand out in a market that’s currently selling lot of CG-animated fare, he adds. This was his first time making a show with this kind of look, and it suits both the superhero theme and the protagonist’s own love of comics. Inspired by McCracken’s love of retro comics such as Dennis the Menace and Tintin, Kid Cosmic has an old-school 2D art style. “Here, I feel like I have the freedom to pitch new content-like something that could work as a movie, or something with a darker tone-that TV networks might shy away from.” It’s looking for good and unique ideas that are well-executed,” says McCracken. “Netflix isn’t looking for an evergreen property that it can milk for hundreds of episodes. It wasn’t until shows like Steven Universe and Gravity Falls hit the air that demand for linked stories increased and opened up an opportunity for Kid Cosmic. The idea for Kid Cosmic has been floating around in McCracken’s mind since 2009, but at the time, he says linear kidsnets weren’t interested in anything serialized. In particular, he’s been keen to develop a show with characters who grow and learn, which can be more difficult in an episodic series that’s meant to be consumed in any order, he says. McCracken-who created also created Foster’s Home for Imaginary Friends for Cartoon Network and Disney Channel’s Wander over Yonder-has made a name for himself making content for linear, but was eager to try his hand at serialized storytelling, which fits well with Netflix’s binge-watching strategy. It really was just this odd kid that lived in this desert community and drove people, local truckers and staff, in this truck stop. It follows a young boy and his friends as they gain superpowers and fight evil aliens. The idea for Kid Cosmic struck McCracken back in 2009. Kid Cosmic is produced by Netflix’s in-house animation team and animated by Canada’s Mercury Filmworks. The 10 x 22-minute adventure launched on Netflix February 2, and the streamer has already committed to two more seasons, says McCracken. Keith Ferguson has voiced several popular characters like Robin and Bruce Wayne in DC's Super Hero Girls and Flintheart Glomgold in DuckTales.Powerpuff Girls creator Craig McCracken is flying back into the kids industry spotlight with his new 2D-animated series Kid Cosmic. The hippy grandfather always encourages the Kid to find a non-violent solution to his problems. He is the kind-hearted mentor of The Kid with an ability to multiply himself. He is a childish supervillain whos a big fan of Erodious and wants the Stones of Power for himself. ![]() He served as an unseen antagonist in Season 1, the central antagonist of Season 2 and the main antagonist of Season 3. Keith Ferguson has played the role of Papa G in the Kid Cosmic cast. Fantos the Amassor, also known as simply Fantos, is the main antagonist of the 2021 Netflix superhero series Kid Cosmic. He has voiced several other characters like Wheelie in the Transformers movie franchise and Chief Randall Crawford in Paradise PD, the Narrator and Mayor in The Powerpuff Girls among others.Īlso Read | 'Up In Smoke' Cast: List Of Actors And The Characters They Played In The Film Keith Ferguson As Papa G Tom Kenny is best known for voicing SpongeBob in the SpongeBob SquarePants franchise. He ends up getting stranded in Kid’s trailer. Stuck Chuck is an alien who gets cut in half during a portal accident. ![]() A post shared by Tom Kenny character of Stuck Chuck is played by Tom Kenny. ![]() ![]() To find it near you, check out the Harpoon beer finder. Harpoon IPA is available on draft, in 6-packs and 12-packs everywhere Harpoon is sold. During the month of July, a portion of proceeds from each case sold of Harpoon IPA will go directly to the PMC’s fundraising efforts. The Pan-Mass Challenge raises money for life-saving cancer research and treatment at Dana-Farber Cancer Institute through an annual bike-a-thon that crosses Massachusetts. Harpoon has been a proud PMC sponsor for 22 years, and this summer will take its partnership to a new level. ![]() Its hometown ties are even more evident this year, as Harpoon IPA sales will benefit the Pan-Mass Challenge (PMC) and its fight against cancer. At 6.0% ABV, it’s citrusy, balanced, and refreshing, making it feel right at home on the beaches of Cape Cod, Mass., the ski slopes of Vermont or in a Boston dive. Today, Harpoon believes more than ever that good company makes a good company, something that’s more noticeably on display on the new Harpoon IPA packaging.Ĭlassic components from the previous packaging are still intact – such as the arched “Harpoon,” the bright orange and blue colors, the Harpoon “H” and diamonds – but they’ve been reimagined in a bold and modern new layout.Ī regional favorite and craft beer classic, Harpoon IPA is styled after an English IPA with distinctly American hops. Not only did employee ownership allow brewery employees to share in the value of what they’d helped to build, it allowed the thirst for innovation of each of its employees to flourish. The ESOP gave 48 percent of Harpoon Brewery’s shares to the brewery’s employees. ![]() In addition to the illustrations of each city, the new packaging boasts a more proud and prominent declaration that the brewery is “Employee Owned.” In 2014, Kenary decided it was time to make moves toward employee ownership and launched an Employee Stock Ownership Plan (ESOP). “The revamped packaging makes it loud and clear that Harpoon IPA is proud of its New England roots, while paying tribute to those who have enjoyed it – and helped brew it – for nearly three decades.” It’s the beer we all reach for time and time again – from ball games to BBQs with friends – and we wanted its packaging to better reflect that sense of community and approachability,” said Dan Kenary, Harpoon’s CEO and co-founder. ![]() “Harpoon IPA has been a fan favorite for years, and there’s a reason for that. ![]() ![]() ![]() ![]() 54, 80 & 170 on the Billboard Top 200 albums, typifying the current level of recognition that African music is garnering on a global scale. In the year after Burna Boy’s widely discussed Grammy nod and the Coachella fiasco, currently, Nigerian albums such as Burna Boy’s ‘Twice As Tall‘, Wizkid’s ‘Made in Lagos’ and Davido’s ‘A Better Time’ rank respectively at nos. ![]() This year also, the cross-Atlantic collaborations have only multiplied with standouts including Pop Smoke and Burna Boy, Nicki Minaj and Davido, Burna Boy and Naughty by Nature, Tiwa Savage and Sam Smith, Nasty C and T.I Tems, Davido and Khalid and so many more. Tiwa Savage and Sauti Sol are currently signed to Universal Music Group, while Nasty C recently penned a deal with Def Jam Records, Adekunle Gold with UK’s Virgin EMI Records and even younger, less mainstream acts such as Cruel Santino have bagged a joint venture deals with LVRN giving them higher chances of a cultural impact on a worldwide scale. Many of the afropop’s current frontrunners have been positioning themselves for recognition on this scale for quite some time, and with big wig label signings, have increased chances of global recognition. Since he was nominated last year, conversation surrounding the Grammy’s have mostly been about him, however, he’s not the only one gunning for the glory. Last year, Burna Boy was nominated for the former Best World Music Album category for his 2019 album, ‘African Giant‘, though he missed out on bringing the golden gramophone to Nigeria, this year the self-proclaimed African Giant returns with his third major-label release ‘Twice As Tall’, an undoubtably Grammy contender. There’s no denying that the world has turned its focus on Africa and the wealth of talent that exists across the creative arts, upping the stakes for many African artists and fostering an environment where they can attain global cultural relevance. Over in these parts, this year has been cosmic for African music on the global scene. Cardi B and Megan thee Stallion’s “WAP” also broke the US record for the most first-week streams for a song and riled up misogynists in one clean sweep landing them the Best Hip-Hop/Rap song at the AMA’s yesterday. And black women stole the show with Megan thee Stallion’s standout single “Savage” taking over the quarantine, and populating social media platforms from Twitter to TikTok before landing a Queen Bey stamp of approval with the “Savage Remix”. The Weeknd’s ‘After Hours’ spent 34 weeks in the #1 spot on the Billboard R&B album charts and Summer Walker’s ‘Over It’ spent 58 weeks in the charts. Both artists are a definite shoo-in for even more accolades 63rd Grammy Awards having already bagged similar awards at previous shows this year such as the MTV EMAs, the AMA’s, and the BET Hip-Hop Awards. In addition, Roddy also joined Lil Baby as the only two rappers this year to go double platinum this year with the release of his single “My Turn” back in February. Roddy Ricch’s “The Box” remained at number one for over 10 weeks, and also racked up over 68.2 million weekly streams, which became the highest nonseasonal stream total since Lil Nas X’s almighty “ Old Town Road” last summer. So far this year, the rookies seem to be dominating conversation, and seem to have been preparing for this pivotal moment. However, come COVID-19 vaccine or not, the prestigious night is set to take place next January, celebrating the best of the fold for their achievements and contributions to music and wider pop culture this past year. Ironically, before the pandemic The Grammys were one of the last awards shows held in person, and other award shows throughout the year have become a virtual event, in efforts to remain socially distanced. Luckily, we’re near the end with only 5 weeks left, and are looking ahead into next year, with one of the music world’s biggest nights, The Grammy Awards looming. From battling a global pandemic with seismic effects on the global economy and life as we once knew it, to rallying together in strong opposition against police brutality, racism, and years of corruption and violence in several parts of the world it has been a strife-filled year. Let’s be honest, 2020 has been a shit show. ![]() ![]() It would also be remiss to omit one of the other growing concerns in noise exposure: playing music too loudly through earbuds and headphones. And after exposure to some of these items, we may find ourselves using a 60 dB electric toothbrush or a 94 dB hair dryer. Many of these may run at a distance or in a separate room, but others require us to operate them. Washing machines and air conditioners can range from 50 to 75 dB. Dishwashers can range from 45 dB to 60 dB. Many of the battery-operated machines may be quieter-but depending on the performance needs, may not be adequate for the intended job, requiring longer use time. A leaf blower or snow blower may put out more than 100 dB. Many gas-powered yard tools have very high output levels. Several of the items we use to manage and maintain our homes operate at higher sound levels than we may expect. Our home life and activities expose us to a large variety of sounds. To truly consider our hearing health, we must look at the bigger picture and consider hearing outside of work (see “Ear Care for All, On and Off the Job,” March 2018, on./ldr-0318 ). The guidelines also consider rest periods after the workday. The OSHA and NIOSH guidelines focus specifically on occupational hearing safety, and are intended to prevent hearing loss in the workplace-as well as other non-auditory effects associated with exposure to loud sounds, such as an increase in cardiovascular-related issues (see sources). And because NIHL is a result of repeated exposure to loud sounds, it can progress with continued exposure to these sounds. It results in reduced hearing sensitivity in the high frequencies, compromising audibility and speech understanding. More often, it is the result of repeated exposures to loud sounds. A one-time exposure to an extremely loud sound can cause NIHL. The rationale behind both of these approaches is NIHL prevention. So, a change from an 85 dBA environment to an 88 dBA environment would indicate a change from eight hours to four hours of exposure. NIOSH also differs from the OSHA requirement by adjusting the time of sound exposure when the level changes by 3 dB (see sources). The National Institute for Occupational Safety and Health (NIOSH) is a bit more strict, limiting exposure to the 85 dBA level for an eight-hour workday ( on./NIOSH-guide ). So, for a 95 dBA level, the maximum allowable exposure time is four hours. ![]() And for every 5 dB increase in the sound level, the exposure time for the employee must be reduced by half (see sources). The Occupational Safety and Health Administration (OSHA) requires that employees not be exposed to more than 90 dB onĪn A-weighted scaled (dBA) throughout the course of the eight-hour day to prevent hearing loss ( on./OSHA-guide ). What is important to consider in any of these workplaces is how the intensity levels of the sound affect employees. Certainly, levels vary in meetings and other work gatherings, typical of most any we orkplace. Truck drivers may be exposed to similar levels while traversing the country in the cabs of their trucks (see sources)-a stark contrast to my 51 dB office environment. What to Know About Firearm Suppressors and Hearing Lossįor someone working in a factory, loudness levels can range anywhere from 80 to 90 dB (see sources). Roar Aboard: Protecting Service Members' Ears on Aircraft Carriers Noise-Induced Hearing Loss Possibly More Damaging Than Age-Related Loss Downloading a sound level meter app and monitoring noise levels is a good place to start. The best we can do in the short term is increase our awareness of noise levels throughout our day and to make adjustments if those levels become risky. There’s also no consensus on when exposure at various levels can result in noise-induced hearing loss (NIHL). Meanwhile, guidelines and rationales differ regarding safe listening levels: Debate continues over the exact point that noise levels threaten hearing, with some pegging it as high as 85 dB and others as low as 70 dB. But for people who work in louder environments, or who are also surrounded by loud noises at home, their noise exposure is a lot different-and can put them at risk for hearing loss. At least, this is my typical day involving work and home, and this is similar for many who work in an office. ![]() This is a pretty typical day in the world of sound level exposure. Evening in the house with family has levels that vary around 55 dB and up to 65 dB when my 1-year old starts getting vocal. The day continues similarly to that, followed by the drive home again, at 68 dB. When I get to the office, it measures at 51 dB while I sit at my desk. Sitting inside my car, the drive to work is about 68 dB. The shower runs at about a surprising 76 dB. My morning starts with the mobile phone alarm at 55 dB waking me up from sleeping in a 50 dB room. ![]() ![]() Like Katara, Sokka likely ended up having to live in a temple, though not all who serve the gods are Clerics. Originally posted by thedumpinggroundformybrain SOKKA When it came to her spell list, I remembered her famous quote “I don’t want to heal, I want to fight”, so I made sure she was more than capable of bringing the pain as well as taking it away.Ĭ Light, Sacred Flame, Spare the Dying, Toll the Dead, Word of Radianceġ Bless, Ceremony, Cure Wounds, Guiding Bolt, Inflict Wounds, Sanctuary, Shield of FaithĢ Augury, Lesser Restoration, Prayer of Healing, Spiritual Weapon, Warding Bondģ Aura of Vitality, Beacon of Hope, Clairvoyance, Remove Curse, Revivify, Spirit Shroud, Water WalkĤ Aura of Life, Control Water, Death Ward, Divination, Guardian of Faithĥ Commune, Flame Strike, Greater Restoration, Holy Weapon, Mass Cure Wounds, Raise Dead A 1 level dip into Monk can make Aang more elusive, but Druids do get spells for all 4 bending elements, allowing Aang to stay true to his avatar roots.Ĭ Create Bonfire, Gust, Mold Earth, Shape Waterġ Burning Hands, Cure Wounds, Earth Tremor, Ice KnifeĢ Dust Devil, Gust of Wind, Flaming Sphere, Scorching Ray, Warding Windģ Erupting Earth, Plant Growth, Revivify, Tidal Wave, Wall of WaterĤ Aura of Life, Control Water, Fire Shield, Stone Shape, Watery Sphereĥ Control Winds, Flame Strike, Malestrom, Mass Cure Wounds, Wall of StoneĦ Bones of the Earth, Investiture of Flame, Investiture of Ice, Investiture of Stone, Investiture of Wind, Move Earthīetween the death of her mother and her father being a soldier, not to mention women being expected to be healers within her culture, I would not be surprised to find that Katara was sent to a temple to train in the healing arts under her gran gran, choosing to eventually strike out on her own by Aang and whatever shenaningans he drags her and Sokka into. That sagely wisdom is why I leaned toward Druid over Sorcerer. There is an argument to be made for Divine Soul Sorcerer as Aang literally has the spirit of Raava inside of him, but both Sokka and Katara have pointed out how wise and insightful Aang is. ![]() Just as the forest will grow back after a wildfire, so too will the Avatar return when they’ve passed away. That destruction and death lead to new life, and that death is never the end. The idea that death is merely a phase of life. The Circle of Wildfire creates an interesting connection to the Avatar Cycle. He’s cried over a burnt forest, felt drawn to a swamp as though it was calling to him, and eventually learned how to listen to the earth itself. As the Avatar, Aang is responsible for balancing the world between humanity, nature, and spirits. ![]() This one may come across as a surprising choice, but I think it fits for Aang thematically. Originally posted by zukoisanawkwardturtleduck AVATAR AANG So this is more or less an approach of what they would be if they’d been born in the world of Dungeons and Dragons as their original setting. ![]() ![]() The reason for this is that because they need to use elemental magic, it would get rather boring having all of them be Sorcerers. When I say “translating” what I mean is converting their party roles to a DnD party while not strictly adhering to their powers and abilities so strictly. ![]() ![]() ![]() ![]() The built-in signal generator includes vital test signals, e.g. The illuminated buttons, together with the angled front and rear panel provide a comfortable direct access to the control elements from a standing position. The DS3 is driven by the new PA3 Power Amplifier, which has been optimized for high performance and ergonomic operation. Also, your clients will appreciate the professional reports for Airborne, Impact and Facade sound insulation measurements produced by the XL2 Acoustic Analyzer and the Sound Insulation Reporter PC-Software. There will be no questions asked on the quality of your measurements as this new Dodecahedron Speaker Set is compliant with ISO16283, ISO140, ISO3382 standards. You can switch the signal ON only when necessary and OFF without repeatedly walking around. We know how a reliable remote control can ease the workload, so we tested ours thoroughly. The high output is suitable for testing in rooms with lots of background noise, and the sturdy grids and housing are designed to take the knocks of everyday usage, even in hostile conditions such as construction sites. To stop you killing yourself in your daily work, NTi Audio has developed a new lightweight, yet robust omnidirectional sound source together with a powerful amplifier.ĭespite its low weight of only 7.5 kg, the new DS3 Dodecahedron Loudspeaker consistently delivers up to 121 dB sound power level for extended periods of time. Carrying a heavy amplifier & loudspeaker from room to room is cumbersome. Measuring the sound insulation and reverberation time in multi-roomed buildings can become pretty tiring. New Omnidirectional Sound Source & Amplifier ![]() ![]() ![]() Our full statement regarding the end of development support for Scarlett Plugin Suite can be found here. ![]() While the Scarlett Plugin Suite may still work in some instances we have ended development support so we cannot guarantee compatibility. If you wish to continue using these plugins, please do not update Mac OS. We are aware of issues with these plugins caused by architecture changes in this version of macOS. Our full statement regarding the end of development support for Forte can be found here. The Forte Control installer will fail if it's run on macOS Monterey. Works with Monterey? NO - Forte is not supported on macOS 12 Monterey, therefore we recommend that Forte users do not upgrade their macOS to Monterey Forte Control may work if you're updating from an older version of macOS but this is untested and unsupported. Our full statement regarding the end of development support for Saffire 6 USB 1.1 can be found here. Works with Monterey ( USB 1.1)? NO - therefore we recommend that Saffire 6 USB 1.1 users do not upgrade their macOS to Monterey. If it begins "S2" then you have the USB 2.0 variant.If the serial begins "SU" then you have the USB 1.1 variant.To check which variant you have you can reference the serial number on the underside of the unit: There are two versions of the Saffire 6 USB - one is a USB 1.1 device and the other is USB 2.0. Please see our full statement regarding the end of development support for the Saffire Range here. *Please note, the Saffire FireWire Range is discontinued and is no longer under development support so our testing with the Saffires on Monterey has been very limited. Works with Monterey? YES* - please install Saffire Mix Control 3.9 (available in our Downloads area). Saffire FireWire Range (Pro 14, Pro 24, Pro 24 DSP, Pro 26, Pro 40, Liquid Saffire 56) ![]() This will not be fixed in future as these products are discontinued and are no longer under development support.Ĭlarett USB Range (2Pre USB, 4Pre USB and 8Pre USB)Ĭlarett Thunderbolt Range (2Pre, 4Pre, 8Pre and 8PreX) For example, if you change to a clock source that isn’t present or change the sample rate to one that doesn’t match the current clock source. You will experience issues when changing the clock source and sample rate to invalid clock configurations. We are aware of issues that affect users trying to clock their 1st Gen 8i6/18i6 externally via S/PDIF or ADAT. Vocaster Range (Vocaster One, Vocaster Two) If you are not getting signal into audio software but playback seems fine, please see this article. If you receive an error message stating ' System Extension Blocked' after installing Focusrite software/drivers then please see this article. Ableton Live Lite, Pro Tools) then please check the corresponding manufacturer's website for compatibility information.īased on past experience we would advise waiting for at least a few months after the release of any new operating system before updating in case there are any issues that need to be fixed. If you're using additional software that came bundled with your Focusrite interface (e.g. Please ensure you have installed the latest drivers and control software (if necessary) for your product: Focusrite downloads page.Īdditionally, please check that all other software/hardware you use to make music is also compatible before updating and never update your operating system during the middle of a time-critical project. Although significant changes in this regard throughout the lifecycle of a version of macOS have historically been rare. x) may change the performance of some products compared to the original macOS 12 release. Our testing was completed using various beta versions of macOS Monterey and the "Golden Master". If you're unsure whether you have an "Intel" or "Apple Silicon" system please see this article.Ĭompatibility information for Focusrite products is listed below. For compatibility information regarding Apple computers with Apple Silicon processors please see this article. This article outlines compatibility information for Apple computers with Intel processors. ![]() |
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